Collage at Its Core

I grew up with a mom who approached her “look” each day as art. She wasn’t conceptual about it, but rather she lived the act of putting together various found objects (from her closet and elsewhere) as a way to get dressed in the morning. She never failed to brighten things up with her daring color combos and surprising dashes of nature (like a Zinnia blossom pinned to her sweater). And, wow, could she rock a hat. And lipstick! To her, color was everything. She’s still this way; we could call her a most excellent collage, herself.

Back then, there wasn’t the buzz around consignment shopping that there is now, or the feeling of accomplishment at finding treasures in thrift stores. But there would be the occasional neighborhood yard sale or a church-basement fundraiser, and inevitably we’d grab a vintage scarf or some wildly colorful clip-on earrings or a necklace made of sea glass. And each addition to our relatively simple closets would bring things to life, as we’d match it up with something long dead. Fashion resurrection!

I love seeing the young ladies in my fave consignment shops, doing exactly what Mom did, and what she transmitted to me. Putting together unusual combinations and creating effects that are entirely original—it’s both recycling and art, and perhaps even an expression of activism, whether or not the activity is budget-driven.

I find myself bringing this ethos into my art, like when my dragonfly curtains fell apart, those dragonflies were vociferous that they be immortalized in a collage. So “Change Agent” was born, and it’ll remind me forever of my pal, CQ, who sweetly made those curtains for me when our house was new and the neighbors could see us in every possible life moment. Another birth: When I scoured through my scrap bag only to find an exquisite silk hankie with a shamrock, embroidered by my Irish great-grandmother. I got busy finding out about her life from Mom and my aunties, Pru and Abby. Turns out she was irrepressible. The piece, “Joanna Keene,” is infused with the mother lineage, rich with a good dose of courage and ambition.

Latest obsessions: Feathers, leaves, and favorite (threadbare) old shirts. A lively collage practice, indeed!

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Tube Colors

Of late, I’m wildly interested in what happens when I stick to a self-imposed rule of using colors straight out of the tube. It’s a great little experiment, and makes for some strange (though arresting) combinations. How evocative color never fails to be!

Also this, and not unrelated: The Colorado sky in mornings and evenings are still the best light shows I have ever witnessed. I’ve never been a very good En Plein Air painter, for a variety of reasons—but the main one is that I get too dang mesmerized by the show. And it changes from one minute to the next, which makes capturing it quite pickly. Hats off to any artist who can meet that moment, brush in hand.

I must declare that I’m feeling lucky to have this painting practice as we cruise into Covid 2021. Not gonna delve into THAT topic too much, only briefly to say that it’s getting so normal to see masks on humans, that social scenes (in films) are starting to freak me out. I’ve compared notes with friends and family, and they’re having the same experience. We all want to shout at the screen, “Hey, what are you doing without your mask, and in a crowded restaurant, no less??” Plus I can’t remember what a restaurant is.

So, tube colors: Big smile on that. Hope you’ll enjoy the vivid work that ensues.

P.S. This “Quail in Snow” requested that he might wish you and our precious world a sparkly, vision-rich new year. Couldn’t turn him down.

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